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📃 Оригинальное описание:
Broadcast design :30
Director: ROSS JAMES
Production: SKY
VFX: THE MILL LONDON
The Mill take us through the the steps of how they assembled pop star Robbie Williams out of light and particle effects.
The Mill art director Ross Urien: “One of the biggest challenges was finding the right balance between the particle and 3D effects and keeping it recognizably Robbie, especially in the early stages when he just begins to form.
“Robbie was shot on a studio turntable, giving The Mill’s artists all of the necessary lighting passes and references. Our 3D team then built a CG double of Robbie and the stadium environment using Maya and XSI.
“The complex particle simulation work was developed in Houdini. It took a number of weeks of R&D to get the look right - with multiple approaches on Robbie’s formation and disintegration.
“The decision to use Robbie’s tattoo for one of the shots was instrumental in defining the graphical language for the whole piece. The trails were animated to grow like a plant with branches splitting off, and the timing was crucial to get the composition working in conjunction with what we filmed.
“Finally, The Mill’s 2D lead, Andy Dill, worked for a number of weeks in Flame to composite the various 3D elements, as well as adding some additional atmospheric elements and lighting effects.“
For Sky
Producer: Lynn Avser
CD: Rose James
Creatives: Kenny Reynolds
Director: Rose James
Producer: Lynn Avser
Editing Company: Sky
Editor: Simon Hughes
For The Mill London
VFX producer: Andrew Sommerville
Shoot super: Andy Nicholas
2D lead: Andy Dill
3D lead: Andy Nicholas
2D artist: Al Ford
3D artists: Paul Donnellan, Adrian Russell, Ciaran Moloney, Monica Taddei, Jake Flint, Natalie Rocks, Allyn Lawson, Kwai Ip, Chris McDonald, Stuart Turnbull
AD: Ross Urien
Toolkit:
Maya, XSI, Flame
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