Céline Marty, ’Sartre’s Critique of Dialectical Reason’
’Sartre’s Critique of Dialectical Reason: a social theory of the subject useful to criticise contemporary capitalism’
A paper from the Royal Holloway Centre for Continental Philosophy’s Sartre Now! Workshop, April 4th 2022, by Céline Marty (Université de Franche-Comté).
Abstract
This paper argues that Sartre’s Critique of Dialectical Reason presents many methodological thesis useful for current critics of capitalism. The philosophical work of André Gorz, who was very close to Sartre, shows how Materialist Existentialism can criticize the assignment of the subject and its reduction to his social function - especially to its job - and extend the understanding of the subject to other material conditions of his existence (his communities and his means of living).
In Critique of Dialectical Reason, Sartre intends to adjust his concept of freedom with concrete social reality. He thus aims to epistemologically ground Marxism, “the philosophy of our time”, through the metaphysical and epistemological theory of Existentialism. He criticized the Marxists of his time, especially Lukacs, for not explaining how individuals make history, for lack of a theory of the subject. The philosophy of history must clear up why individuals take collective action. Therefore Sartre constructs a theory of praxis which is alienated by contact with others’ praxis and matter, i.e the reified product of the other praxis. The “practico-inert” is the passive and anonymous form of individual alienation. Individuals can only overcome alienation through the collective action of the “groups-in-fusion” in which individuals are brought together by a common cause. May 1968 would have embodied this group-in-fusion.
This colossal philosophical work is little read and commented on today, although its Materialist Existentialism is fertile for social philosophy. It allows indeed for the justification of a social theory based on the subject. It is the only atom of social reality which then constitutes collective action, social groups and classes, but which retains its freedom and can always extract itself from it.
In my doctoral research on André Gorz, I show how he inherits Marxist Existentialism from Sartre. Existentialism serves to justify the updating and adaptation of political project of emancipation to real subjective aspirations, which exist without always being translated into concrete projects by unions or political parties. His existentialism is methodologically nourished by the “sociology of the actor”, developed in France by Alain Touraine, which opposes the functionalism of the Frankfurt School. Gorz particularly criticises Habermas for reducing the subject to its social function in the capitalist system, i.e his job. This prevents him from perceiving and explaining the subject’s feeling of being out of step with his job and the resulting aspirations, in particular the desire to develop autonomous activities that are not reduceable to economic activities.
In 1980 Gorz in Farewell to the Working Class suggests that a ’non-class of non-workers’ has recently emerged as a result of recent transformations in industrial production, which has reduced the working class and led to the emergence of employees or part-time workers. They do not recognise themselves in their jobs and refuse to be assigned to them, as Sartre’s barista is, despite himself, in Being and Nothingness. They claim different aspirations than those satisfied by employment. This paradoxical class continues to grow today, which raises the question: what can the Existentialist criticism of current capitalism and the Existentialist project of emancipation be today?
3 views
718
192
5 months ago 00:05:02 1
La Pastorale - Cristoforo Caresana (arr. Christina Pluhar) - L’Arpeggiata 4K
5 months ago 00:04:59 1
Just Walk Away (Bonus Track)
5 months ago 00:04:12 1
La Tarantella - Cristoforo Caresana - L’Arpeggiata - Christina Pluhar (direction) 4K
5 months ago 00:04:51 1
Why Oh Why
6 months ago 00:05:34 3
To Love You More | Voctave ft. Marty Thomas
6 months ago 00:09:18 2
Porpora - Opera Polifemo Aria ’Alto Giove’ | Franco Fagioli
8 months ago 00:27:34 1
Новости Бессмертия | Март ’24
11 months ago 00:04:58 1
“JUST WALK AWAY“ Celine Dion |The Colour Of My LOVE
12 months ago 00:30:07 3
Céline Marty, ’Sartre’s Critique of Dialectical Reason’
1 year ago 00:02:29 2
L’Arpeggiata - Christina Pluhar: ZYGEL ACADEMIE Pizzica di San Vito
2 years ago 00:15:01 2
Movie Star SLAPS HOST At AWARD SHOW, What Happens Is Shocking | Dhar Mann
2 years ago 01:05:00 1
SORTIR DE LA TYRANNIE DE LA «VALEUR TRAVAIL»
2 years ago 00:01:48 1
Quel accent romand savez-vous imiter?
2 years ago 00:02:44 1
Красивый вальс в день 8 марта Ансамбль Патруль
3 years ago 00:05:00 1
Céline Dion - Just Walk Away
4 years ago 00:02:59 1
AFLĂ ȘI TU ADEVĂRUL | Natalia, Canada
4 years ago 00:00:27 7
новая песня Пошлой Молли - Контракт 2021 12 марта
4 years ago 00:01:52 1
Селин Ники Иоланта. Март 2021
4 years ago 00:02:59 5
Восьмая Марта - My Heart Will Go On (Celin Dion cover, live 2001)
5 years ago 00:03:28 8
Irish Step Dancing
5 years ago 00:00:13 1
С 8 марта поздравляет Сергей Селин
5 years ago 00:08:56 1
С 8 марта! Красиво о любви? Whitney Houston / Celine Dion - Баллады из кино: Перевод песен (для ТВ)