Erato Ensemble:
Catherine Laub, soprano
Jeff Pelletier, flute
Lauris Davis, oboe
Julie Begg, clarinet
Adrian Verdejo, guitar
This arrangement of J.S. Bach’s famous soprano aria from his “Coffee Cantata“ plays with the idea of acceptable addictions. The aria begins before the soprano has had her first cup of morning cof- fee, so she grumbles down the octave while the pre-caffeinated flute player has wound himself up to piccolo. The oboist starts as a tee-totaler before being slowly corrupted by the alcoholi
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