Manet, Olympia

Édouard Manet, Olympia, oil on canvas, 1863 (Musée d’Orsay, Paris) Speakers: Dr. Beth Harris and Dr. Steven Zucker Édouard Manet brought to Realism his curiosity about social mores. However, he was not interested in mirroring polite parlor conversations and middle class promenades in the Bois de Boulogne (Paris’ Central Park). Rather, Manet invented subjects that set the Parisians’ teeth on edge. In 1865, Manet submitted his risqué painting of a courtesan greeting her client (in this case, you), Olympia, of 1863, to the French Salon. The jury for the 1865 Salon accepted this painting despite their disapproval of the subject matter, because two years earlier, Manet’s Luncheon on the Grass created such a stir when it was rejected from the Salon. (It was instead exhibited in Emperor Napoleon III’s conciliatory exhibition—the Salon des Réfusés, or the Exhibition of the Refused. Crowds came to the Salon des Réfusés specifically to laugh and jeer at what t
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