Looping Pentatonic DSX Picking Hack You Need To Know

Tommo’s new seminar ( ) is full of essential ideas that make the DSX picking style functional for everyday playing across a wide array of phrases. Here’s a great one. As you may know, if you’re a DSX player, this means your picking motion traces a diagonal path such that downstrokes “escape“ and become your string switch pickstroke. The implications of this are significant. For two-note-per-string phrases like pentatonic lines, you need to ensure that the last pickstroke on each string is a downstroke if you want to play them cleanly and quickly with this type of joint motion. No problem — you can simply start these phrases on upstrokes, and many players do indeed do this. But the positioning of the *beat* is another question. Downstroke-on-downbeat organization is a nearly universal unwritten rule in picking technique that many players attempt to follow, consciously or otherwise. And starting these phrases on upstrokes would bre