CH. Falzone’s Concerti (transcriptions):
“The Transcriptions are: the genre is primarily improvisational which expanded your artistic personality, the challenge becomes greater as the new form of composition and engages your physical dexterity and adaptable pianism to different styles. Knowing how the composer dealt with symphonic and multi-instrumental repertoire, particularly concerti with piano, give insight into the breadth of musical discernment, as a poet enlarges his vocabulary from studying the large-scale collections and encyclopedic documentation of history pertaining to his field of interest. The music feels loosely reconstructed by definition of the artist’s imagination. The immediacy of the performer’s engagement with the music creates a spontaneous surge of creativity which is partly instinctive and coming from experience. The performer develops his voice through conveying the art his own way, distinctive and having uniqueness in thought and conception, and portrays the visua
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RACHMANINOFF-FALZONE CONCERTO N. 2 (Christopher’s Transcription-Performance)