No. 1, F major, G. 437
No. 2, G major, G. 438 11:51
No. 3, C major, G. 439 25:53
No. 5, G major, G. 441 40:51
No. 6, B flat major, G. 442 53:47
These quintets come from a set of six in a Madrid manuscript with an attribution to Boccherini: they are not in Boccherini’s own catalogue of his works, which doesn’t necessarily exclude their authenticity (he noted in it most of his true chamber music, though not the cello sonatas or the keyboard ones); they sound as if they date from the 1780s, and the presence o
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