The work of Greek artist Alexandra Koumantaki is characterised by constructed interstices between both the natural and the technological and the present and the past. Site specific installations in uninhabited natural spaces see the Hyperlink curator drawing together synthetic material and geological phenomena, reaching back to the ancient cultures of Greece and Egypt that have shaped her native Crete and her current base of Athens, while gesturing towards speculative futures with sci-fi sculpture and artificial light. In Gaze, Koumantaki collaborates with Simon Kounovsky, also known as CGI artist, sculptor and filmmaker Axonbody, in a hybrid work inspired by ancient Hellenic tablets, video game aesthetics and J.G. Ballard’s foundational work of climate fiction, The Drowned World.
Conceiving of a world in which humanity is long gone, yet their indelible mark remains in scraps of abandoned technology, Koumantaki and Axonbody reckon with the urgent reality of climate catastrophe using the signifiers of l