Fischfang in der Rhön (an der Sinn) (Ella Bergmann-Michel - 1932)

AKA Fishing in the Rhön (at the Sinn) (1932) The film is characterised by atypical landscape shots, with views of nature being distorted without technical effects. Close-ups, details and overhead shots without a horizon create an impression of flatness. Flora and fauna are transformed into graphic elements through symmetrical reflections. ‘Fischfang in der Rhön’ is reminiscent of Ella Bergmann-Michel’s experimental landscape photographs on the one hand and her collages on the other, in which she layered coloured transparent papers on top of each other.