T-Rex: The Tragic Death of Marc Bolan

The tragic death of T-Rex’s Marc Bolan SIGN UP for 10 of the Craziest Stories in Rock N’ Roll [Secret Playlist]: Check out our Top 25 Favourite Albums Here Have a video request or a topic you’d like to see us cover? Fill out our google form! -----CONNECT ON SOCIAL----- Instagram: Facebook: Twitter: Blog: #trex #marcbolan I cite my sources and they may differ than other people’s accounts, so I don’t guarantee the actual accuracy of my videos. Marc Bolan is best known as the frontman of T Rex. In the early 70s, he and the band led a musical movement known as glam rock, which combined heavy hooks with extravagant displays of fashion. T Rex would experience critical and commercial success in their native UK during this time and would also prove extremely influential in America. By 1977, following a brief commercial decline, the band were in the midst of a strong comeback, but Bolan would die in a serious car wreck at 29 years old. While the crash itself was undisputed, it turns out that the circumstances around the crash contrasted with what was first reported. That’s what we’ll discuss in today’s video. Bolan was born Mark Feld on September 30th, 1947, in the east London borough of Hackney, to an English mother\ Ashkenazi Jewish father. Both parents came from a working-class background, with his mother operating a food stall on Berwick Street Market at the time, while his father was a truck driver. Although that meant that the family sometimes struggled to make ends meet, Bolan nonetheless had a happy childhood with his older brother Harry. Harry would comment on the time his brother’s larger-than-life presence took shape when he was five years old, recalling in the documentary Marc Bolan, The Final Word, “He would adopt a frontman [persona] like Clark Kent and Superman, and his first one was Mighty Joe Young. He was the big gorilla and nobody could beat him. He [always had] a front, and ‘Marc Bolan’ was [one of them],” he’d say. The family would relocate to Wimbledon, and it was at this point that Bolan was drawn to music. By age 9, his mother bought him his first guitar, and after a few years of simple strumming, he’d gradually become proficient by teaching himself how to play. According to Bolan, the 1956 film The Girl Can’t Help It, would fuel his ambitions for becoming a rockstar. Realizing that his instrument could supplement as a fashion accessory while he moved around, he’d take a cue from some of his rock n’ roll heroes, saying, “I remember seeing Eddie Cochran. The way he held his guitar, unmoved, looked good. Little Richard put his foot on the piano, and I thought that was outrageous. I thought Elvis was the man, because he really used to wiggle his bum…and that influenced me incredibly. I was impressed with the fact that he always had a guitar [on him]. That, to me, was the ultimate showman thing, just sort of pushing it behind his back and throwing it around.” By August 1965, the 18-year-old musician made inroads in the music industry, signing a contract with Decca Records under the moniker Marc Bowland. He’d then adopt a popular folk-rock sound similar to artists like Donovan and Bob Dylan, and materialize it with the help of session musicians, but his first two singles, “The Wizard’’ and its follow-up in 1966, “The Third Degree,” failed to make any impact, which resulted in him being dropped from the label. He had also been changing the stylization of his name several times up to this point. In the book Marc Bolan: The Rise and Fall of a 20th Century Superstar, it’s said that the earliest instance involved changing the ‘k’ in his birthname, Mark Feld, to a ‘c’. As for how he’d eventually get to ‘Bolan’, the most common theory is stated by his brother Harry, who’d recall, “Around this time, Mark was very friendly with the actor James Bolam. They fell out shortly afterwards, and I had a feeling it’s because Mark used his name as an inspiration.” Actor Riggs O’Hara agreed, adding, “Mark just changed the ‘m’ to an ‘n’… [and] liked the sound of it. He couldn’t understand why Jimmy was upset. He thought it was absolutely ridiculous that Jimmy thought he was going to be as big as Mark was. Mark always knew that he was going to be famous,” O’Hara would say. By late 1966, things would start to look up for Bolan, as he’d successfully convinced legendary producer and manager Simon Napier-Bell to record him by himself with just his acoustic guitar. Napier-Bell soon became Bolan’s manager, and using his c