Metamorfosi
Constantinople, Kiya Tabassian, direction
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00:00 - Intro
01:22 - Capona / Ciaconna - Giovanni Girolamo Kapsberger () / A. Falconieri (c. 1585-1656)
8:06 - Toccata Arpeggiata - Giovanni Girolamo Kapsberger
10:27 - Ciaconna di Sa’di – Kiya Tabassian (1976 - )
14:07 - Kapsberger - Giovanni Girolamo Kapsberger
16:21 - Alba della foresta – Kiya Tabassian
19:44 - Sinfonia - Salomone Rossi (c. 1570-1630)
23:47 - Fath-e Bâb – Nikriz Pishrow - Ali Ufki (1610-1675)
27:02 - Il ballo delle ingrate (Excerpt) - Claudio Monteverdi (1567-1643)
30:58 - Pishrev-i Zarb-i Feth – Ali Ufki
34:29 - Passacaglia - Giovanni Girolamo Kapsberger
39:11 - La Canella - Pietro Paolo Borrono (1490-1563)
43:13 - La fuga di Antonio – Kiya Tabassian
Avec Metamorfosi, Constantinople prend la liberté de réinventer la musique Italienne baroque en déchiffrant les manuscrits de compositeurs tels que Kapsberger, Monteverdi et Rossi. En dialogue avec ces oeuvres, la musique de Ali Ufki, musicien de la cour Ottomane, et des compositions et arrangements de Kiya Tabassian font voyager l’Ensemble dans un univers musical captivant. Les mouvements spontanés, les contrastes prononcés et les rythmes inhabituels de ce programme fournissent un terreau fertile pour les musiciens de Constantinople, qui prennent du plaisir à s’affranchir des codes culturels de la vieille Europe.
For this concert, Ensemble Constantinople has taken the liberty of reinventing the music left by Italian early baroque composers such Kapsberger, Monteverdi and Rossi. In response to these beautiful works, Constantinople will interpret a few masterpieces from the Polish composer at the Ottoman court, Ali Ufuki, as well as new compositions by Constantinople music director, Kiya Tabassian. The ensemble aims to create a dialogue that recreates the spirit of the cultural exchanges between Venice and Eastern capital cities, such as Constantinople. The spontaneous changes, sharp contrasts and unusual rhythmic groupings in this program provide fertile ground for the musicians of Constantinople, who always welcome the chance to free themselves from the cultural codes of old Europe.
Avec/with
Michel Angers, théorbe & guitare baroque
Didem Başar, kanun
Elinor Frey, violoncelle baroque / baroque cello
Patrick Graham, percussions
Tanya Laperrière, violon baroque & viola d’amore
Kiya Tabassian , setar, shourangiz & direction
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