Wolfgang Amadeus Mozart
Don Giovanni, ossia Il Dissoluto Punito
Performed by Budapest Scoring Symphonic Orchestra
đ ITA/ENG libretto:
đ SYNOPSIS:
Act 1
0:00:00 Overture
0:06:47 Notte e giorno fatigar
0:11:43 Leporello, ove sei?
0:12:24 Ma qual mai sâoffre, oh Dei
0:19:37 Ah! Chi mi dice mai
0:21:56 Chi è là ?
0:25:37 Madamina, il catalogo è questo
0:31:37 Giovinette che fate allâamore
0:33:10 Manco male, è partita
0:35:10 Ho capito, signorsĂŹ!
0:36:31 Alfin siam liberati
0:38:39 LĂ ci darem la mano
0:42:38 Mi par châoggi il demonio si diverta
0:43:58 Non ti fidar, o misera
0:47:48 Povera sventurata
0:48:16 Don Ottavio... son morta!
0:54:35 Come mai creder deggio
0:55:07 Dalla sua pace la mia
0:59:44 Io deggio ad ogni patto
1:01:42 Finchâhan del vino
1:03:17 Masetto, senti un poâ
1:04:02 Batti, batti, o bel Masetto
1:08:05 Riposate, vezzose ragazze
1:09:32 Venite pure avanti
Act 2
1:17:25 Eh via, buffone, non mi seccar
1:18:33 Leporello, vien qui
1:19:48 Ah! Taci, ingiusto core
1:24:16 Amico, che ti par?
1:26:52 Deh! Vieni alla finestra
1:29:15 Vâè gente alla finestra
1:30:21 MetĂ di voi qua vadano
1:32:24 Zitto! Lascia châio senta
1:34:48 Vedrai, carino, se sei buonino
1:39:08 Di molte faci il lume
1:39:44 Sola, sola in buio loco
1:47:16 Dunque quello sei tu
1:47:47 Ah! PietĂ , signori miei
1:49:43 Ferma, perfido; ferma
1:50:24 Il mio tesoro intanto
1:54:56 In quali eccessi, o numi
2:02:03 Ah, ah, ah! questa è buona
2:06:31 Oh statua gentilissima
2:10:22 Calmatevi, idol mio
2:11:11 Crudele? Ah no, mio bene
2:18:21 Già la mensa è preparata
2:27:15 Don Giovanni! A cenar teco
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as opera buffa). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozartâs âtrio of masterpieces with librettos by Da Ponteâ.
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