Following the success of his first documentary (Wholly Communion), Whitehead was invited to film a controversial new play, US, by radical theatre director Peter Brook. Building on the provocative question of Britain’s relationship to America during the Vietnam War, Whitehead pushed the issue of complicity further, challenging the relationship between the actors - including a young Glenda Jackson - and their performances. Steadfast and provocative in its consideration of international relations and war, Benefit of the Doubt has troubling relevance to the current political climate.