From the Gewandhaus Leipzig.
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Alexandrina Pendatchanska - soprano
Manuela Custer - alto
Stefano Secco - tenor
Mirco Palazzi - bass
Gewandhausorchester Leipzig
Michael Schönheit - organ
Riccardo Chailly - conductor
Choir of the Leipzig Opera
Chorus Master - Sören Eckhoff
Gewandhaus Choir
Chorus Master: Gregor Meyer
0:00 Entrance
1:30 N. 1 Kyrie
8:25 N. 2 Gloria
10:56 N. 3 Gratias
15:39 N. 4 Domine Deus
20:55 N. 5 Qui Tollis
27:21 N. 6 Quoniam
34:32 N. 7 Cum Sancto Spiritu
40:33 N. 8 Credo
44:40 N. 9 Crucifixus
47:57 N. 10 Et Resurrexit
56:37 N. 11 Preludio Religioso
1:03:40 N. 12 Sanctus
1:07:34 N. 13 O Salutaris
1:12:40 N. 14 Agnus Dei
Gioacchino Rossini’s Petite Messe Solennelle was written in 1863, “the last“, the composer called it, of my “péchés de vieillesse“ (sins of old age). For its first performance (1864) Rossini arranged the work with only two pianos and harmonium. Partly for fear that it would be done anyway after his death, Rossini discreetly orchestrated the Petite Messe Solennelle during 1866-67, without losing its candor and subtlety. The resulting version had its first public performance on 28 February 1869, three months after the composer’s death.
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