[The One Club for Creativity] Best Music Video - Preacherman - 2016 One Screen Film Festival Winner

🎯 Загружено автоматически через бота: 🚫 Оригинал видео: 📺 Данное видео принадлежит каналу «The One Club for Creativity» (@TheOneClubforCreativity). Оно представлено в нашем сообществе исключительно в информационных, научных, образовательных или культурных целях. Наше сообщество не утверждает никаких прав на данное видео. Пожалуйста, поддержите автора, посетив его оригинальный канал. ✉️ Если у вас есть претензии к авторским правам на данное видео, пожалуйста, свяжитесь с нами по почте support@, и мы немедленно удалим его. 📃 Оригинальное описание: The video was inspired by the racially motivated murder of Emmett Till, a 14-year-old boy who was killed in 1955, 60 years ago this August. His murder became a major event in 20th Century America, many believing it contributed to the start of the American Civil Rights Movement. The video was made in association with the Emmet Till Legacy Foundation, which educates young children about racism in the United States. Filmed in Jackson, Mississippi, this potent combination of emotive subject, powerful songwriting and Calum’s unique visual styling, has resulted in an incredibly powerful film, enhanced by the haunting choral vocals crowdsourced from Melody’s Facebook fans. Part of that authenticity was filming near the actual location where the murder took place. We were constantly coming into contact with people who had been affected first-hand by the tragedy. In fact, Emmett’s cousin, Dr Edelia J, even plays a part in the film,” he adds. “She and all the other characters that we street-cast from the Mississippi Delta brought a real honesty to the film that I just don’t think we would have managed anywhere else.” DOP Sy Turnball beautifully captures the Mississippi swampland atmosphere using a combination of Red Dragon camera and Anamorphic KOWA lenses. The striking black and white grade, inspired by old-fashioned wet plate photography, gives the film a dramatic beauty, contrast and texture. As beautiful as the final film may appear, behind the scenes there was always the very real threat of snakes, alligators and deep swampland to contend with, as well as the constant rainfall, which made working conditions less than ideal at times. As Jonathon Ker, the film’s producer, is quick to point out though, it’s easy to get hung up on the conditions that you’re shooting in but, honestly, filming this very real subject matter really brings into focus how incredibly minor the kinds of inconveniences most of us face day-to-day really are.