Wenn Maxim Emelyanychev Beethoven dirigiert, kann man sicher sein, dass er kein einziges emotionales Detail auslassen wird. Als Chefdirigent des Barockensembles Il Pomo d’Oro spürt er seit Jahren den Wurzeln nach, aus denen sich Beethovens dramatische Kraft speist. Und so wird gerade die legendäre “Schicksalssinfonie” ein sinfonisches Meisterstück mit Ecken und Kanten. Das im steten, eng verzahnten Dialog von Orchester und Solo gehaltene Violinkonzert gerät zum Wettstreit, zu dem die Komposition “Eleven” des schottischen Komponisten James MacMillan passt. Es ist vom Fußball inspiriert, vom Drama auf dem grünen Rasen.
Live aus dem Funkhaus am Wallrafplatz in Köln.
James MacMillan
Eleven für Kammerorchester
Ludwig van Beethoven
Konzert D-Dur für Violine und Orchester op. 61
Ludwig van Beethoven
Sinfonie Nr. 5 c-Moll op. 67
“Schicksalssinfonie“
Aylen Pritchin, Violine
WDR Sinfonieorchester
Maxim Emelyanychev, Leitung
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When Maxim Emelyanychev conducts Beethoven, you can be sure that he will not omit a single emotional detail. As chief conductor of the baroque ensemble Il Pomo d’Oro, he has for years been tracing the roots from which Beethoven’s dramatic power is fed. And so the legendary “Fate Symphony“ in particular becomes a symphonic masterpiece with rough edges. The violin concerto, held in a constant, closely interlocked dialogue between orchestra and solo, turns into a competition, to which the composition “Eleven“ by the Scottish composer James MacMillan fits. It is inspired by soccer, by the drama on the green pitch.
Live from Funkhaus Wallrafplatz in Cologne.
James MacMillan
Eleven for chamber orchestra
Ludwig van Beethoven
Concerto in D major for violin and orchestra op. 61
Ludwig van Beethoven
Symphony No. 5 in C minor op. 67
“Symphony of Fate“
Aylen Pritchin, violin
WDR Symphony Orchestra
Maxim Emelyanychev, conductor
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