A Complete Guide to New Complexity and its Core Composers

🎶 Support the channel: 🎼 🎼 0:00 Introduction 9:51 Brian Ferneyhough 21:55 Michael Finnissy 33:09 Chris Dench 45:31 Richard Barrett 53:18 James Dillon 58:42 Conclusion This was requested by DerSibbe, Charlie powell, Mishibijiw Piano, Guy Berreby, 洪孟思, harpynerpy, and Alice Wyan, whose patron bonus DOUBLED the weight of this request. See all requests at 📚 Sources/further reading: “Brian Ferneyhough” by Lois Fitch (Intellect, University of Chicago Press, 2013) “Brian Ferneyhough: Collected Writings” edited by James Boros and Richard Toop (Routledge, 1995) “Uncommon Ground: The Music of Michael Finnissy” edited by Henrietta Brougham, Christopher Fox, and Ian Pace (Ashgate, 1997) “Modern Music and After (3rd Edition)” by Paul Griffiths (Oxford University Press, 2010) “The Concept of New Complexity: Notation, Interpretation and Analysis” by Stuart Paul Duncan (DMA dissertation, Cornell University, 2010) “Re-Complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the ‘New Complexity’” by Stuart Paul Duncan (Perspectives of New Music, Winter 2010, Vol. 48 No. 1) “On Complexity” by Richard Toop (Perspectives of New Music, Winter 1993, Vol. 31 No. 1) “Brian Ferneyhough’s Lemma-Icon-Epigram” by Richard Toop (Perspectives of New Music, Summer 1990, Vol. 28 No. 2) “Developing an Interpretive Context: Learning Brian Ferneyhough’s Bone Alphabet” by Steven Schick (Perspectives of New Music, Winter 1994, Vol. 32 No. 1) “Michael Finnissy’s History of Photography in Sound: Under the Lens” by Christopher Fox (The Musical Times, Summer 2002, Vol. 143 No. 1879) “Discontinuous Dialogues: Chris Dench in Conversation with Bruce Petherick” by Chris Dench (Context, Vol. 15/16) “Portfolio of Original Compositions: Music of Possibility” by Richard Barrett (PhD thesis, University of Leeds, 2017) “Resistance and Reflection: Richard Barrett in the 21st Century” by Arnold Whittall (The Musical Times, Autumn 2005, Vol. 146 No. 1892) “Everything is Connected: Richard Barrett at 60” by Tim Rutherford-Johnson (Tempo, July 2020, Vol. 74 No. 293) “Codex: Embodied Communication in Richard Barrett’s Scores for Improvisation” by Hannah Reardon-Smith (Directions of New Music, February 2017, Vol. 1 No. 1) “Contemporary British Composers 3: James Dillon: Currents of Development” by Keith Potter (The Musical Times, May 1990, Vol. 131 no. 1767) “James Dillon: String Quartets as Complex Causal Network” by Michael Spencer (Contemporary Music Review, Vol. 33): (5).pdf “Interview: James Dillon” by Amanda MacBlane: SEP11 A Scottish composer’ of M Dillon Release Southern “Divisions Without Hierarchy: Four-Dimensional Modeling of Submeter and its Use in Empirical Analysis of the Musics of the New Complexity” by Aaron J. Kirschner (PhD dissertation, University of Utah, 2017) ---------- Music: - Brian Ferneyhough: Transit, performed by the London Sinfonietta conducted by Elgar Howarth [original upload: rGFHH2YW8CQ] - Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette - Brian Ferneyhough: Dum Transisset I-IV, performers unknown [original upload: 06dUqMrd5aQ] - Brian Ferneyhough: Time and Motion Study II, performed by Neil Heyde and Paul Archbold [original upload: rW2b4ByT8dM] - Brian Ferneyhough: Bone Alphabet, performed by James Beauton [original upload: eyedqvWwY5Y] - Michael Finnissy: String Trio, performed by the Gagliano Trio [original upload: NE3gEI2s33I] - Michael Finnissy: Piano Concerto No. 2, performed by Michael Finnissy, orchestra unknown [original upload: O0TaBKLEhuc] - Chris Dench: severance, performed by Geoffrey Morris [original upload: RbD-BUHkx-U] - Richard Barrett: codex I, performed by Ensemble Studio6 [original upload: ptEa_Zkk4jU] - James Dillon: echo the angelus, performed by Noriko Kawai [original upload: UuCZhVwIf_U] ---------- Contact Information: Questions and comments can be directed to: nerdofclassical [at] Facebook: Instagram: ---------- All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information.