Mozart - Sonata for 2 Pianos in D Major, K. 448/375a (Century’s recording: Eric & Tania Heidsieck)
Album available // Mozart: Sonata in D Major for Two Pianos, K. 448
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Wolfgang Amadeus Mozart (1756-1791) - Sonata for 2 Pianos in D Major, K. 448/375a.
00:00 Sonata for 2 Pianos in D Major, K. 448/375a - I. Allegro con spirito (Remastered 2022, Studio Version)
05:47 Sonata for 2 Pianos in D Major, K. 448/375a - II. Andante (Remastered 2022, Studio Version)
15:28 Sonata for 2 Pianos in D Major, K. 448/375a - III. Allegro molto (Remastered 2022, Studio Version)
21:36 Sonata for 2 Pianos in D Major, K. 448/375a - I. Allegro con spirito (Remastered 2022, Live Version)
27:06 Sonata for 2 Pianos in D Major, K. 448/375a - II. Andante (Remastered 2022, Live Version)
36:21 Sonata for 2 Pianos in D Major, K. 448/375a - III. Allegro molto (Remastered 2022, Live Version)
Piano 1: Tania Heidsieck
Piano 2: Eric Heidsieck
Recorded in 1978 (studio)
Recorded in 1990 (concert)
New mastering in 2022 by AB for CMRR
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Mozart wrote this sonata in D major K 448 in 1781, and played it for the first time in November of the same year, in a private concert in Vienna, with his student Josepha von Auernhammer. It is a work of infinite seduction where one can feel Wolfgang’s euphoria in the first months following his installation in Vienna and the pleasure he took in writing for two pianos. Much more than in the four-hand pieces, it is possible for him to organize a true dialogue between the two performers, and he does so with a subtlety, an imagination, a concern for the balance between the two partners, a total absence of overloading of the lines, with a sovereign art that serves as a reference in the repertoire for two pianos. This magnificent sonata remains a work of the galant style, but it represents a sort of apogee of it, and it moves deeply by the touches of melancholy and tenderness perfumed by its delicate andante.
Numerous studies have already demonstrated the beneficial effects of music, in particular classical music, in the context of certain therapies, notably for pathologies related to psychomotor disorders (stroke, depression, senility...) and, above all, to treat or relieve patients suffering from neurological affections such as Alzheimer’s disease and, obviously, epilepsy.
For 3 months this test group listened to the “intact“ version of the work of the Austrian composer or a “scrambled“ version and then the opposite for another 3 months. This alternation was deliberate in this experiment, as researcher Marjan Rafiee explains: “Over the last 15 to 20 years, we have learned a lot about how listening to one of Mozart’s compositions in people with epilepsy seems to show a reduction in seizure frequency. But one of the questions that still needed to be answered was whether individuals would show a similar reduction in seizure frequency when listening to another Mozart-based auditory stimulus.“
The results of the experiment revealed a significant reduction in the number of seizures during the period of daily listening to the unaltered version of this sonata, but this was not observed for the scrambled excerpt during the control period. This is very encouraging according to Marjan Rafiee: “This suggests that daily listening to Mozart can be considered as an additional therapeutic option to reduce seizures in people with epilepsy“. The Toronto researchers will now work on the next step, which will be to conduct larger studies with a greater number of patients and over a longer period.
The British site ClassicFM recalls that in 2018, a study from the Royal Hospital for Sick Children in London showed that patients between the ages of 2 and 18 had a significant decrease in epileptic activity after hearing Mozart’s works.
Georg Friedrich Haendel (1685-1759) - Complete (16) Keyboard Suites by Eric Heidsieck.
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