Do overblows sound like sh*t? Today we respond as unbiasedly as possible to that very question as well as examine other examples of where certain harmonica techniques and qualitues can be initially noncoopertive and/or difficult to learn ? Are overblows worth pursuing? Watch this video and decide for yourself whats good for you. I’m using a “C“ Hohner Crossover as well as Crossovers in “G“ and “F“ all customized by Tom Halchak of Blue Moon Harmonicas.
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