Hemingway, Fitzgerald, Faulkner: 4. Fitzgerald’s The Great Gatsby

Hemingway, Fitzgerald, Faulkner (AMST 246) Professor Wai Chee Dimock begins her discussion of The Great Gatsby by highlighting Fitzgerald’s experimental counter-realism, a quality that his editor Maxwell Perkins referred to as “vagueness.“ She argues that his counter-realism comes from his animation of inanimate objects, giving human dimensions of motion and emotion to things as varied as lawns, ashes, juicers, telephones, and automobiles. She concludes with a short meditation on race in The Great Gatsb