Embark on an exploration of Mozartâs violin and orchestra masterpieces, delving into the intricate dialogues of his violin concertos and the refined elegance of the Sinfonia Concertante.
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Mozartâs solo Violin Concertos plot the path to maturity from the rather conventional B flat major Concerto (K207) written probably around the time of the Concertone for two Violins (K190) of May 1773 right through to the masterpiece that is the A major Fifth Concerto (K219) completed in December 1775. That Mozart then decided not to complete any further Violin Concertos may seem strange in the light of the success of these five works and also the fact that he was a competent Violinist himself. There are indeed sketches for two further Concertos which have been expanded into full works but remain of dubious provenance. However, one great masterpiece was still to come and that is the Sinfonia Concertante (K364) for Violin and Viola which Mozart wrote some four years later in Salzburg and which arguably stands as his finest work to date.
Serenade in D major, K. 239, popularly known as the âSerenata notturnaâ. In this charming work, written in January 1776 most probably as jolly Neujahrsmusik, a string quartet is a concertante group against a string orchestra, which results in strong antiphonal, echoâlike effects. The three elegant movements, the first of which is a march with pizzicati, must have astounished the Salzburg music lovers on New Yearâs Day, 1776.
Tracklist:
Violin Concerto No. 1 in B-Flat Major, K. 207 (KristĂłf BarĂĄti & Hungarian Chamber Orchestra):
0:00:00 I. Allegro moderato
0:06:30 II. Adagio
0:13:06 III. Presto
Violin Concerto No. 2 in D Major, K. 211 (KristĂłf BarĂĄti & Hungarian Chamber Orchestra):
0:18:24 I. Allegro moderato
0:26:07 II. Andante
0:32:08 III. Rondeau. Allegro
0:36:44 Rondo in B-Flat Major, K. 269/261A (KristĂłf BarĂĄti & Hungarian Chamber Orchestra)
0:43:23 Rondo in C Major, K. 373 (KristĂłf BarĂĄti & Hungarian Chamber Orchestra)
0:48:58 Adagio in E Major, K. 261 (KristĂłf BarĂĄti & Hungarian Chamber Orchestra)
Violin Concerto No. 3 in G Major, K. 216 (KristĂłf BarĂĄti & Hungarian Chamber Orchestra):
0:55:39 I. Allegro
1:04:21 II. Adagio
1:11:13 III. Rondeau. Allegro
Violin Concerto No. 4 in D Major, K. 218 (KristĂłf BarĂĄti & Hungarian Chamber Orchestra):
1:17:50 I. Allegro
1:25:16 II. Andante cantabile
1:31:19 III. Rondeau
Violin Concerto No. 5 in A Major, K. 219 (KristĂłf BarĂĄti & Hungarian Chamber Orchestra):
1:38:41 I. Allegro aperto
1:47:37 II. Adagio
1:56:27 III. Rondeau
Sinfonia concertante in E-Flat Major, K. 364 (Gil Sharon, Yuri Gandelsman & Amati Chamber Orchestra):
2:04:45 I. Allegro maestoso
2:17:29 II. Andante
2:27:28 III. Presto
Concertone for 2 Violins in C Major, K. 190 (Kammerorchester âCarl Philipp Emanuel Bachâ & Hartmut Haenchen):
2:33:46 I. Allegro spiritoso
2:42:17 II. Andantino grazioso
2:52:32 III. Tempo di menuetto
Serenata notturna in D Major, K. 239 (Gil Sharon & Amati Chamber Orchestra):
3:01:14 I. Marcia. Maestoso
3:05:29 II. Menuetto
3:09:29 III. Rondo. Allegro
Serenade in D Major, K. 250 (Gil Sharon & Amati Chamber Orchestra):
3:14:04 II. Andante
3:24:06 III. Menuetto
3:28:22 IV. Rondo. Allegro
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