Impellitteri - Pedal to the metal (full album) 2004

© TO THE OWNERS AND COPYRIGHT HOLDERS: I want to clarify that all the music used in the uploaded videos belongs to their respective owners: my channel does not monetize and it is not my intention to violate copyright, but if the copyright holders (label or musicians) want one of my videos to be removed, first to take any action, please contact me (via comments or personal messages) so that I can delete it immediately. ***** Chris Impellitteri is a guitarist who needs no introduction: in over thirty years of career he has adapted his indisputable technical skills to a rocky and vital hard rock, which often leads to pure heavy metal (here you can find “Stand in line“, his first album His style can be considered close to that of another virtuoso of the six strings: Yngwie J. Malmsteen, from whom Chris takes above all the baroque and neoclassical style. In the year of grace 2004, the legendary Californian guitar hero released his eighth album, after the amazing “System X“, in which a gracious Graham Bonnet pulled one of the best performances of his honored career out of his hat; in his place we find the young Curtis Skeleton, a vocalist with undoubted talent and a more aggressive vocal timbre than the good old Bonnet, capable of adapting very well to the modernist sound created by the guitar hero. Skelton’s singing is pungent, aggressive, set on high tones, and decidedly suitable for the speed - trash - neo classic metal context in which “Pedal To The Metal“ moves; the guitar-playing of Impellitteri (who is also the producer of the album) is, as always, precise and fast in the solos and granite in the very bad riffs proposed. The rhythm section formed by Glen Sobel and James Pulli, respectively drums and bass, combine precision and power, giving the album the right amount of energy. “Pedal to the metal“ constitutes for Chris Impellitteri a real experimentation of multiple musical genres: from American metal to Scandinavian-style hard rock, passing through unusual genres such as crossover and rap-metal. Perhaps the strength of this album lies precisely in this: in the desire to experiment, an aptitude usually atypical for guitar heroes, who often offer us simple exercises in guitar skill which, however appreciable or even astonishing, in the long run end up boring the listener, especially if the latter does not play the guitar. Chris Impellitteri, on the other hand, enhances the overall quality of the proposed arrangements and songs, seasoning everything with spectacular solos, as is required of a guitarist of his calibre; this means that the positive moments don’t stop only at the solo parts, but also at the songs taken in their entirety, which makes this album a really good job. “PedalTo The Metal” is an album that initially will make those who love the old works of the virtuoso axeman turn up their noses, but stopping at the initial appearances could prove to be very dangerous, since you would miss a very powerful, inspired work, never without melody and above all to be listened to repeatedly at full volume. 00:00 The writings on the wall 04:11 Crushing daze 06:45 Destruction 10:26 Dance with the devil 14:06 Hurricane 18:25 Judgement day 21:45 The iceman cometh 25:23 Punk 29:00 Propaganda mind 33:10 Stay tonight 37:03 The fall of Titus (american metal vs. swedish metal) Chris Impellitteri - guitars Curtis Skelton - lead vocals James Amelio Pulli - bass Glen Sobel - drums