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Parallel Compression for a long time was that little extra something I was missing from my mixes that I didn’t know how to get. I noticed how loud commercial mixes were compared to mine, but didn’t understand how they were achieving it, without making the audio more squashed through limiting and compression. It wasn’t until I read Bob Katz book on Mastering, that I clued on to this powerful technique, which he dubbed Parallel Compression.
When we talk about Parallel Compression, we’re mainly talking about
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