Mitra I. Arthur | April 15, 2024
Themes of reflection and resilience are on display the moment bassist Linda May Han Oh begins her opener, “Halo,“ a driving tune dedicated to the world of live music producers. The track, accentuated by Greg Ward on alto saxophone and Fabian Almazan’s use of an effects pedal on the piano, calls to mind the grind and hustle of playing and presenting gigs. Performance of thoughtful and complex sounds is at the heart of jazz, and at the heart of Oh’s impact as a composer and musician. Her work with artists like Pat Metheny, Terri Lyne Carrington and Vijay Iyer, plus her projects as a composer and bandleader (including a chamber jazz ensemble and album, Aventurine) have culminated in Oh being an in-demand jazz bassist.
In this Tiny Desk, Oh presents a mix of cuts from her 2023 release, The Glass Hours, and new works. Her theme of resilience is exemplified in “The Imperative,“ where drummer Mark Whitfield Jr. and tenor saxophonist Mark Turner s
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