“Watermelons was commissioned by the San Francisco Mime Troupe as a short entertainment to be screened during intermission for its rather infamous 1965 Minstrel Show (Civil Rights from the Cracker Barrel), which assaulted racial stereotypes by wildly exaggerating them -- as performed by (mostly white) performers in blackface, yet. A relative latecomer to filmmaking, the 35-year-old Nelson had just begun fooling around with the medium, mostly in collaboration with then-wife Gunvor Nelson. To make Watermelons
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