“C’était un Rendez-vous Paris” In a Ferrari 275 GTB by Claude Lelouch
Simply amazing -
On an August morning in 1976, French filmmaker Claude Lelouch mounted a gyro-stabilized camera to the bumper of a Mercedes-Benz 450 SEL and told the world that it was a Ferrari 275 GTB and a friend, a professional Formula 1 racer, drove at breakneck speed through the heart of Paris. No streets were closed, for Lelouch was unable to obtain a permit. No dialogue, just the squeal of tyres and the roar of the story goes that in August 1978, a time long before GoPro cameras, French filmmaker Claude Lelouch adapted a gyroscopic camera in front of a Ferrari 275 GTB, and invited a friend, professional Formula 1 driver to drive through the heart of Paris at the highest speed possible just before dawn. The route was from Porte Dauphine through the Louvre to the Basilica of Sacre Coeur. Lelouch did not get permission to close streets on the perilous journey. The driver completed the circuit in less than 9 minutes. The film shows him passing red lights, dodging pedestrians, scaring pigeons and circulating in streets in a unique sense at dawn. When the film was presented to the public for the first time, Claude Lelouch was arrested, but he never revealed the name of the driver. It is speculated that it may have been René Arnoux or Jean-Pierre Jarier. The film was banned and would only be projected on Underground cinemas. where it was a major hit in the underground movie scene in the late 1970’s and the early 80’s. It is all in one mesmerising take, there is no dialogue and there is no driver in sight. The only person you actually see is a blonde woman approaching the car in the final moments - hence the name C’était un Rendez-vous. Translated to English, the title means “It was a date”. According to the producer, Claude Lelouch, the intention was to capture the urgency when a young man rushes to pick up his beautiful date. It is just as much as about sex and desire as it is about driving.
“A guy who is going to meet a girl can take unnecessary risks because he doesn’t want to make her wait.”
The entire movie, from start to end, is in one long shot. There are no cuts, and no special effects. What you see is exactly how that early Sunday morning in Paris was. Including the pigeons, buses and pedestrians. The total of 18 red lights that the car accelerated through were also very real.
Many details about the movie were shrouded in mystery, few knew how it had been made. There were numerous rumours circulating, one that it was the director’s friend and racing driver Jacques Lafitte who was speeding the car through Paris that morning, and that the car driven was a Ferrari 275 GTB, none of this was true.
The truth is that the car used for the movie was Claude Lelouch’s Mercedes-Benz 450 SEL, with a 6.9 litre V8. The Mercedes had hydropneumatic suspension and was better for driving on the cobble stone streets of Paris at high speed. The camera was mounted on the front of the car. The car was driven by Claude Lelouch himself, and not a racing driver. The woman in the end of the movie was his Swedish girlfriend Gunilla Friden. She had no other instructions but to wait at a designated spot and walk towards the car when Claude arrived.
The engine noise and tyre squeals are all added in post-production using Claude’s Ferrari 275 GTB. The route is km long, which indicates an average speed of 80 km/h (50 mph) not the claimed speeds of over 200 km/h in some parts. Looking at the movie you see that overtaking traffic is not done with big speed difference. There were only 2 people that knew the exact route except Claude. They were placed along the route with walkie talkies in two blind junctions, in order to warn of other traffic. However, the walkie talkies did not work, and Claude assumed that the crossings were clear. It was a miracle that no one was hurt during shooting. There was, of course, a public outrage of the method of shooting this film and ample evidence of multiple serious traffic offences, this became a problem for Lelouch. One famous incident was when Lelouch was pulled over by a policeman in Paris who recognised Lelouch and seized his driving license. Moments later the driving license was returned, the policeman later stated that he had orders to take the driving license from Claude, however, since he was a big fan, he returned it after a few minutes. He had, in theory, complied with the orders from the ministry of justice. Lelouch is now 86 years old and lives in Paris. In 2009, Lelouch explained: “I made the movie as a gift of this moment of madness. It is very symbolic of my life. We did many forbidden things in the film, as I have often done in life.“
Good bloke!
P.D.
I sold a Ferrari 355 Challenge to a French man from Paris not long ago and he is doing a concourse re-build on it. When it is finished, I am invited to Paris to see it.
Guess what I am going to do whilst I am there?
#Ferrari275GTB
#ferrari
#ClaudeLelouch
#Rendez-vousParis
#paris
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4 years ago 00:08:40 18
C’était un Rendez-vous Mercedes 450SEL in Paris 1976
3 years ago 00:05:00 86
Un monde sans argent : et si c’était la solution ?
2 years ago 00:03:19 15
Il était un petit navire
12 years ago 00:02:54 17
Vespa, à Paris - C’était... un rendez vous ?!
1 year ago 00:04:42 1
Catherine Ringer - C’était un homme
11 years ago 00:01:41 18
Maitre Gims : “Avec Rohff c’était un échange d’égos...“
5 years ago 00:02:15 21
C’était une petite fille
5 years ago 00:08:42 7
“Manu“, le Gilet jaune éborgné à Paris, témoigne : “C’était un guet-apens !“
4 years ago 00:03:19 7
Michèle TORR c’était un petit homme (1972) ML
4 years ago 00:04:03 1
C’était quoi déjà un restaurant # 64
6 years ago 00:10:51 24
“C’était un rendez-vous“ apres 40 ans -
5 years ago 00:17:09 1
Francis le Belge, « c’était mon frère et c’était un parrain, le plus grand »
5 years ago 00:08:24 1
Claude Lelouch - C_était un Rendez-vous (1976)
5 years ago 00:12:33 1
Ego faible et si c’était un problème?
7 years ago 00:07:10 4
Porcieu Mars 2017 - LIVE - C’était un Accordéoniste - HD
5 years ago 00:07:15 370
J’ai pu jouer à The Surge 2 et c’était très bien.
4 years ago 00:05:40 1
Pr. RAOULT : C’ÉTAIT PAS UN CONSEIL SCIENTIFIQUE !
3 years ago 00:30:41 23
Pénuries, et si c’était voulu? Et si ce n’était que le début?
7 years ago 00:03:09 59
THEO LUAKA suite _ C ETAIT DONC UNE FAKE NEWS
1 year ago 00:00:30 152
Avant c’était mieux ! #olivierdelamarche
3 years ago 00:01:54 6
C’était Biarritz !
6 years ago 00:02:15 1
Julien : «La charge n’était absolument pas nécessaire, c’était un abus de puissance»
5 years ago 00:04:10 8
C’était un jeune marin qui revenait de guerre ( أغاتي وكليبات للأطفال )
5 years ago 00:03:12 25
Attali - climat: “Agissons comme si c’était vrai !“