NEW * Gimme Shelter - The Rolling Stones “Merry Clayton Vocal“ -4K- {Stereo} 1969

the LP “Let It Bleed.“ Original video edited and AI remastered with HQ stereo sound. Full version with Merry Clayton solo vocal. “Gimme Shelter“ is a song by English rock band the Rolling Stones. It is the opening track on their 1969 album Let It Bleed. The song covers the brutal realities of war, including murder, rape and fear. It features prominent guest vocals by American singer Merry Clayton. American author, music journalist and cultural critic Greil Marcus, writing for Rolling Stone magazine at the time of its release, praised the song, stating that the band has “never done anything better“. “Gimme Shelter“ has placed in various positions on many “best of/greatest“ lists including that of Rolling Stone magazine. In 2021 “Gimme Shelter“ was ranked at number 13 on Rolling Stone’s list of the “500 Greatest Songs of All Time“. “Gimme Shelter“ was written by the Rolling Stones’ lead vocalist Mick Jagger and guitarist Keith Richards, the band’s primary songwriting team. Richards began working on the song’s signature opening riff in London while Jagger was away filming Performance with Richards’ then-girlfriend, Anita Pallenberg. In his autobiography Life, Richards revealed that the tension of the song was inspired by his jealousy at seeing the relationship between Pallenberg and Jagger, and his suspicions of an affair between them. The recording features guest vocals by Merry Clayton, recorded at a last-minute late-night recording session in Los Angeles during the mixing phase, arranged by her friend and record producer Jack Nitzsche. After the first verse is sung by Jagger, Clayton enters and they share the next three verses. A harmonica solo by Jagger and guitar solo by Richards follow. Then, with great energy, Clayton repeatedly sings “Rape, murder! It’s just a shot away! It’s just a shot away!“, almost screaming the final stanza. She and Jagger then repeat the line “It’s just a shot away“ and finish with repeats of “It’s just a kiss away“. When speaking of her inclusion in the recording, Jagger stated in the 2003 book According to the Rolling Stones that the Rolling Stones’ producer Jimmy Miller thought of having a female singer on the track and told fellow producer Nitzsche to contact one: “The use of the female voice was the producer’s idea. It would be one of those moments along the lines of ’I hear a girl on this track – get one on the phone.’“ Summoned from bed around midnight by Nitzsche, Clayton – about four months pregnant – made her recording with just a few takes and then returned home to bed. It remains the most prominent contribution to a Rolling Stones track by a female vocalist. At about 2:59 into the song, Clayton’s voice cracks under the strain; once during the second refrain on the word “shot“, then on the word “murder“ during the third refrain, after which Jagger is faintly heard exclaiming “Woo!“ in response to Clayton’s powerful delivery. Upon returning home, Clayton suffered a miscarriage, attributed by some sources to her exertions during the recording. Merry Clayton’s name was erroneously written on the original release, appearing as “Mary“. (Her given name is “Merry“ due to her being born on Christmas Day.) Her name is also listed as “Mary“ on the 2002 Let It Bleed remastered CD. The song was recorded in London at Olympic Studios in February and March 1969; the vocals were recorded in Los Angeles at Sunset Sound Recorders and Elektra Studios in October and November that same year. Nicky Hopkins played piano, Jimmy Miller played percussion, Charlie Watts played drums, Bill Wyman played bass, Jagger played harmonica and sang backup vocals with Richards and Clayton. Guitarist Brian Jones was present during the early sessions but did not contribute, Richards being credited with both rhythm and lead guitars on the album sleeve. For the recording, Richards used an Australian-made Maton SE777, a large single-cutaway hollowbody guitar, which he had previously used on “Midnight Rambler“. The guitar barely survived the recording before literally falling apart. “[O]n the very last note of ’Gimmie Shelter,’“ Richards told Guitar World in 2002, “the whole neck fell off. You can hear it on the original take.“ Greil Marcus, writing for Rolling Stone magazine at the time of the “Gimme Shelter“’s release, stated that “[t]he Stones have never done anything better“. Pitchfork placed it at number 12 on its list of “The 200 Greatest Songs of the 1960s“. Ultimate Classic Rock put the song at number one on their Top 100 Rolling Stones songs and number three on their Top 100 Classic Rock Songs. It is ranked number 13 on Rolling Stone’s 500 Greatest Songs of All Time list. It is also ranked number 1 on the magazine’s list of the band’s best songs. According to Acclaimed Music, it is the 34th most celebrated song in popular music history.