When you gotta impress your friend and ur not a fingerstyle guitarist

šŸŽø Become my student: šŸ“— Get access to my Beginner’s Guitar Guide: This is a widely used blues riff (2 riffs actually) using the 12-bar blues structure. You could ā€œrecognizeā€œ this from hundreds of songs. With these changes I made, I’ll call this little composition ā€œStreet Bluesā€œ. The idea is: 1) You wanna impress someone; 2) You can’t play the fingerstyle (usually it’s harder than playing single notes or power chords); 3) Play this (just an idea of what to play)!!! I DO KNOW not everybody would be impressed by this but I’m sure a lot of people would love to see someone playing it. If you play the guitar, it’s a chance for you to make people happy through music. Give it a try. šŸŽ¼ Printable tab available on my Patreon page. Join me on Patreon to: ā— Tabs discounts ā— Backing tracks ā— Isolated lead guitar ā— Vote for new tutorials ā— Support the channel ā— Personalized feedback ā— and more... šŸŽ® Discord Server: ā¤ Special thanks to my patrons: Joe, Shachar Stern, Andrew J Adams, Stefano Cutri, Eduardo Araya, Hans Innecken, ģ§„ģš° ė°•, Andrii Andrieiev, Jeanne Mcdermott, AKM Guitar, Sourinhaphone Chaleunsouk, S B, J D Moore, Asaad Al-Jazaeri, rakan altlhi, Aarya G. šŸŽ„ Tabs, Guitars, Backing Track, Mixing, Editing - Davi Filho šŸŽ§ Spotify Playlist: ♫ HOW TO READ GUITAR TABS ♫ The guitar tablature has six lines. Each one represents a string of the guitar (the upper line represents the first string ā€œeā€œ and the bottom line represents the sixth string ā€œEā€œ). The numbers represent the FRETS. If there is a number ā€œ5ā€œ on the upper line, you will play the fifth fret in the first string (e). If there is a number ā€œ0ā€œ on the second line (from up to down), you will play the second string (B) without hitting any fret (B open string). Frequently, I add some guitar solo techniques like hammer-ons, pull-offs and slides to the melody so it can sound closer to the original vocals: h = hammer-on; p = pull-off; / (sl.) = slide.
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