Bobina - Same Difference [2013] (FULL ALBUM HQ)

šŸŽ§ Stream Same Difference album: šŸŽ§ More Bobina music on Spotify: Tracklist: 00:00 01. Bobina - Same Difference 08:02 02. Bobina - For Who I Am (with Ana Criado) 13:42 03. Bobina - Quattro 372 17:46 04. Bobina - Miami Echoes 23:06 05. Bobina - Play Fire With Fire (with Susana) 27:48 06. Bobina - Diamond Hell 33:26 07. Bobina - Sacramentum (with Andrew Rayel) 38:48 08. Bobina - No Substitute For You (with Betsie Larkin) 44:04 09. Bobina - Basque The Dog 48:03 10. Bobina - Sober Duck 53:45 11. Bobina - Slow MMXIII (feat. Mariske Hekkenberg) 57:16 12. Bobina - The Space Track 01:00:26 13. Bobina - Lovinā€™ Lies Two years ago, with ā€˜Rocket Rideā€™, his third artist album, electronic music cosmonaut Bobina shot his sound space-boundā€¦ Now, in the year 2013, the Russian Grand Master returns to deliver what he terms ā€œa continuation albumā€ and ā€œa sequel in all but nameā€. Drawing on a spacious range of influences, styles and inspirations - both pre-and-post millennial - ā€˜Same Differenceā€™ beams its epic sonics out from the heavens. With a dance planet firmly in its crosshairs, and an accomplished vocal and co-production crew on board (Susana, Betsie Larkin, Ana Criado and Andrew Rayel among them), Bobinaā€™s pan-galactic, retro-futuristic EDMission continuesā€¦ Intergalacticā€¦. ā€˜Same Differenceā€™s journey begins in a sea of trance tranquillity with its title track. Casting a knowing, timely glance in the direction of Isla Baleares, its subtly thrummed 70s guitar-ism twinned with its Med-trance wrap, cede to a once-heard/never-forgotten drop. Throwing the album into warp-drive, ā€˜Sacramentumā€™ finds Bobina studio-side with Moldovaā€™s Andew Rayel. A euphoric Ying to the harmonic Yang of ā€˜Rocket Rideā€™ fan-fave ā€˜Lamento Sentimentalā€™, its pianoforte symphonica, choral vocal midsection and ebullient conclusion set the album ablaze. Other dimensionsā€¦ Further in, audio like ā€˜Quattro 372ā€™ and ā€˜Miami Echoesā€™ orbits further around the electronic music sphere, building House, Progressive House and occasional electro elements into the album. Putting the ā€˜stellarā€™ in interstellar, ā€˜The Space Trackā€™ furiously grinds and distorts, stabbing its tech keys, while Bobinaā€™s runs the mod-wheel hard to secure its climactic chain reaction moment. ā€¦ā€¦ā€¦ ā€œAs my career has progressed, vocals in my music have become more and more key. In the studio the human voice is now every bit as inspiring to me as the synthesizer. I think on ā€˜Same Differenceā€™ theyā€™ve been used as never before.ā€ - Bobina Farsighted vocalsā€¦ For the album Bobina has engaged the talents of some of electronic musicā€™s hottest singers and most creative, authentic lyricists. On ā€˜For Who I Amā€™, Ana Criadoā€™s cut-to-the-quick song drips an aching expressionism into the track, while Dmitry underlays the Dutch doyenā€™s vox with a complex production nature. Laying down the law, ā€˜Play Fire With Fireā€™ has Susana drawing a (lyrical) line in the sand. As the first dubstep tremors shake its production, you can be certain its earthquake moment isnā€™t far behind. Taking the production partnership that started with ā€˜You Belong To Meā€™ to the next level, Bobina & Betsie Larkin reteam on ā€˜No Substitute For Youā€™. With her ethereally calling vocal reflexion bringing its beauty, Dmitry side-chains the hell out of the drums, hammers the uplift button hard and unchains the trackā€™s inner beast! Of his objectives for his fourth long-player, Bobina says: ā€œwithout being a sequel in name, this is very much the natural second chapter to ā€˜Rocket Rideā€™. Same difference maybe, but is a continuance that shares the same spirit, and often the same styles as my last album. It is also about the continued pursuit of artistic freedom-of-movement; I see this only as an ā€˜electronic music albumā€™ - plain, straight simply that!ā€ Dancing in outer spaceā€¦ A big club moment is never far away on ā€˜Same Differenceā€™. Daisy-chaining floor ferocity, tracks like ā€˜Diamond Hellā€™, ā€˜Basque The Dogā€™ (idiosyncratically based on the melody from ā€˜Hound of the Baskervillesā€™ by Russian composer Vladimir Sergeevich Dashkevich) and ā€˜Sober Duckā€™ all take zero prisoners. Dealing out high-velocity militaristic drums & percs, darker-hearted frequencies, and serrated synths fortified by hazardous levels of distortion, they carve up the floor. As ā€˜Lovinā€™ Liesā€™ brings the album to its gravity-defying coda, Bobina signs off on his most accomplished album to date. You can explore its outer reaches from June 17th Follow Bobina on: #Bobina #SameDifference #Trance
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