The Nose (Shostakovich) | Gergely Madaras, La Fura dels Baus
What happens when a nose decides to run away from its owner and starts leading a life of its own? Attracted by the fantastic, the ‘absurd’ in Nikolai Gogol’s short story The Nose (1836), Dmitri Shostakovich chose this satire of Russian society and its tsarist administration as the basis for his first opera, which he composed at the age of 22 in 1928. Banned from the Soviet repertoire for almost half a century, this fresh, brilliant work is now receiving the attention it deserves in a visually spectacular production by Àlex Ollé and La Fura dels Baus, conducted by Gergely Madaras.
CAST & CREW:
Conductor: GERGELY MADARAS
Director: ÀLEX OLLÉ (La Fura dels Baus)
Set design: ALFONS FLORES
Costumes: LLUC CASTELLS
Lighting: URS SCHÖNEBAUM
Chorus master: JORI KLOMP
Direction Collaborator: SUSANA GOMEZ
Platon Kuz’mich Kovalyov: SCOTT HENDRICKS
The Nose: NICKY SPENCE
Ivan Yakovlevich / Newspaper Editor / Doctor/ Escorting Gentleman: ALEXANDER ROSLAVETS
Praskov’ya Osipovna / Respectable Lady / Mother: GISELLE ALLEN
Ivan, Kovalyov’s Valet / Assistant Chief of Police / Tenor Solo (in Cathedral) / Old Man / Colonel: ANTON ROSITSKIY
Police Inspector / Eunuch: ALEXANDER KRAVETS
Pelageya Grigo’yevna Podtochina / Countess: NATASCHA PETRINSKY
Podtochina’s daughter / Soprano Solo (in Cathedral) / Bretzelseller: EIR INDERHAUG
Ivan Ivanovic/ Cab Driver / Speculant: LUCAS CORTOOS
Budochnik / Lackey (in Cathedral) / Lackey (in Newspaper Office) / Father / Coachman/ 3rd Acquaintance: KRIS BELLIGH
Yarizhkin / Piotr Fyodorovich / Eunuch: YVES SAELENS
1st Son/ 1st New Arrival / 2nd Acquaintance: MAXIME MELNIK
2nd Son / 2nd New Arrival / 1st Acquaintance: LEANDER CARLIER
La Monnaie Symphony Orchestra and Choirs
La Monnaie Choral Academy, led by Benoît Giaux
Production THE ROYAL DANISH THEATRE (Copenhagen)
Co-production LA MONNAIE
In co-production with Shelter Prod and Prospero MM Productions, with the support of and ING
With the support of the Belgian Federal Government’s Tax Shelter
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