๐ท๐‘Ž๐‘›๐‘ฬง๐‘Ž ๐‘‘๐‘’ ๐‘€๐‘Ž๐‘–

From the live album Concerto a Montorfano: Danรงa de Mai Lyrics: Anon. from Mantua (XIIIth cent.) Music: Mirko Volpe ๐ŸŒน ๐ท๐‘œ๐‘ค๐‘›๐‘™๐‘œ๐‘Ž๐‘‘ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘˜๐‘™๐‘’๐‘ก ๐‘ค๐‘–๐‘กโ„Ž ๐‘™๐‘ฆ๐‘Ÿ๐‘–๐‘๐‘  (๐ผ๐‘‡๐ด/๐ธ๐‘๐บ): โ€ขโ€ขโ€ข This poem by an anonymous Mantuan dates back to the thirteenth century and represents a unique example of poetry written to be intended to accompany a dance. In the ballata the poet invites women not to hide their beauties and to leave the house to dance and celebrate Spring. The whole poem refers to the May dances that took place in honor of the arrival of Spring, in the lyrics the dance is named as โ€œla rotaโ€œ a folk dance survived to our days embodied in the sardinian ballu tundu. The poem is taken from the manuscript โ€œnouvelles acquisitions franรงaises 7516โ€œ of the National Library of France, coming from the Gonzaga library in Mantua. The manuscript opens with Denis Piramusโ€™s โ€œRoman de Partenopeus de Bloisโ€œ, a chivalrous poem written in Old French. At the end of the novel the writing style changes and from orderly and precise, it becomes a confused, upside down and chaotic writing and this is where the poetry we set to music is to be found. โ€ขโ€ขโ€ข โ™ก To buy this album and support ๐Œ๐ฎ๐ซ๐ฆ๐ฎ๐ซ ๐Œ๐จ๐ซ๐ข: โ€ข #murmurmori #medievalmusic #folk #earlymusic #musicamedievale #livemedievalmusic
Back to Top