Our interpretation of Meyers first Rose stucke from “Langenort“. I’m of the idea Meyer shows us to use the Rose (a circular motion of the sword instead of going through Meyers cross) to cut the opponent on the chin the moment he leaves the bind.
This must be a short tempo action because the opponent already left the bind and started his action. The rose action must be a smaller tempo then his action so it’s faster then his action. So it can only be a very tight, small and fast rotation.
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