Since the invention of recording technologies such as the phonograph and telephone, military organisations have been interested in the ways in which vibration not only connects but also converges and de-territorialises the realms of the living and the dead. Toby Heys extrapolates on these ideas and presents a brief historical overview of this spectral archive, that stretches from 1944 to 2064; from the Ghost Army to the Wandering Soul strategy; from phantom sonic economies to the Walking Dead Syndrome; from exhumed holographic rappers to holosonic warfare. This is a period that the research cell AUDINT refers to as ‘the century of zombie sound.’
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