Orchestra at Your Fingertips-Audio Modeling | NAMM 2024

____________________________________ *🆓 EXCLUSIVE FREE CONTENT 🆓* ✅ Visit to sign up to our mailing list ✅ 🎛 Learn how to be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list to receive our EXCLUSIVE FREE CONTENT and be notified about what we’ve got planned for the future. ____________________________________ *ABOUT THIS VIDEO* At the end of a long day at NAMM 2024, a very enthusiastic Doctor Mix swept me away to an Audio Modeling demo by Stefano Lucato (Founder/CEO). Emanuele Parravicini(Founder/ CTO) and Simone Capitani (Partner CXO). I was immediately re-energized when I heard the quality and expression level of sounds coming from the latest Audio Modeling software. I’ve been fighting orchestral samples in terms of latency, separate articulations, performance expression, decades. This software is light on the CPU, performs great and sounds very close to the real thing, They are now offering a new feature, variable spacial placements in the room for all the instruments in each section of the orchestra. This feature adds a lot of dimension to the finished orchestra sound. I kept being more and more impressed in this video. Please check it out and let me know what you think. Based on Audio Modeling’s exclusive modeling technology, SWAM String Sections is a truly innovative suite of four plug-ins, corresponding to the orchestra sections Violins, Violas, Cellos, and Double Basses, . They are capable of emulating orchestras of various sizes, from small chamber ensembles to large symphonic groups. SWAM technology provides instant access to natural orchestral articulations, and sections can be placed together in a virtual room to achieve authentic, blended acoustics. With real-time control over staccato, legato, expression, and more, it represents a revolution in orchestral arrangement and composition, allowing for seamless transitions between different styles and articulations without disrupting the creative flow. 00:00 Walk up 00:17 Intro 01:04 Saxophone 02:20 Flute 04:41 Trumpet 06:01 Solo Violin 09:05 Cello Section 10:00 Room & Instrument Position / Divisi 11:15 3 - 5 Celli Section 12:34 Every Instance is a completely different instrument in a different room position without phasing 14:17 Moving Celli around the room with multiple articulations 17:36 Con Sordino (mutes) 19:03 Pizzicato 19:36 String articulations 21:24 Algorithmic Reverb 24:30 Musical Example 28:18 Bowing & Phrasing 30:00 Audio Modeling vs Samples 31:08 French Horn Solo 32:49 Trumpet Solo 33:19 Anthony Plays Trumpet Solo 34:00 Conclusion 34:37 Logo (music) ____________________________________ *ABOUT ANTHONY* Anthony’s musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work “In the Family Way“, written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA’s premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson’s* _*Thriller*_ . His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major. *Website* - *Instagram* - *Tiktok* - @anthonymarinellimusic *Wikipedia* - *IMDb* -